The Case for Misandry
How does fashion’s hyper-sexualisation and objectification of women contribute to gender-based violence, and how can speculative feminist alternatives challenge this system?
[ Eyes ]
[ Monster ]
[ Worms ]
[ ABOUT ]
The female body is relentlessly objectified, positioned as spectacle, consumed by the disciplining gaze. To be sexualised is to be rendered passive, to exist for another's pleasure. This project resists such containment, transforming the violence of objectification into forms that repel and confront. The garment stares back, uncanny and accusatory.
The tentacle extends with unruly desire, shifting from vulnerability to threat. Soft robotic experiments animate a body that refuses compliance, oscillating between seduction and monstrosity. Through rage and repulsion, the work unsettles the gaze that seeks to control it.
